“Translating across saltchuk,” Henry Tsang: In Plain Sight, Surrey Art Gallery, 2024
“Judy Watson: fluid visitations,” mudunama kundana wandaraba jarrіbіrrі: Judy Watson, exhibition catalogue, Queensland Art Gallery | Gallery of Modern Art, 2024
“Cyclical returns and transformations in the art of Adrian Stimson,” Adrian Stimson: Maanipokaa’iini, monograph, Remai Modern, 2022
“Who are we becoming here? Opening Spaces of Interrelation,” Jin-me Yoon: About Time, exhibition catalogue, Vancouver Art Gallery, 2022
“Multivocality: narratives, structures, friendships,” co-authored with Ashlee Conery, The Capilano Review, Issue 3.44 (Summer, 2021)
“Feedback Loop,” co-authored with Kim Dhillon, Lindsay Delaronde, Serena Bhandar and Kemi Craig, C Magazine, Issue 145: Criticism, Again (Spring 2020)
“Untitled (Delta Trim),” Maureen Gruben: QULLIQ: In Darkness, Light, ECU Press and Libby Leshgold Gallery, Vancouver, 2020
“to softer waters between us,” co-written with Sarah Biscarra Dilley, Freja Carmichael, Léuli Eshrāghi and Lana Lopesi, Transits and Returns, exhibition catalogue, Vancouver Art Gallery, 2019
“Cultivating Collectivity,” Canadian Art, March 28, 2019
“in the betweenness between us or where two rivers meet,” Ayumi Goto and Peter Morin: how do you carry the land?, artist book, Vancouver Art Gallery, 2018
“ARCTICNOISE and Broadcasting Futures: Geronimo Inutiq remixes the Igloolik-Isuma Archive,” co-authored with Kate Hennessy and Trudi-Lynn Smith, Cultural Anthropology 32.2, 2017
“Deconstructing Comfort,” Rungh Magazine, 2017
“From qweqwli7t to seqwyem: continuity, agency and allegory,” Tania Willard and the New BC Indian Art and Welfare Society Collective: dissimulation. Burnaby Art Gallery, exhibition catalogue, 2017
“Radical Signals in Reconciliation,” co-written with Maria Hupfield, #callresponse, exhibition catalogue, grunt gallery, 2017
“Walking Softly with Christi Belcourt,” Canadian Art (June 2017)
thirstDays, VIVO Media Arts, writer-in-residence, 2016-17
“Reflecting On and Responding to thirstDays,” BlackFlash Magazine 34.1, 2016
“#callresponse: Presence Across Platforms,” MICE Magazine Iss. 2, 2016
“Sightlines and Surfaces: The Art of Mark Igloliorte,” co-authored with Jordan Wilson, Inuit Art Quarterly 29.3 (Fall 2016)
“Vancouver Entrances: Lawrence Paul Yuxweluptun and Beau Dick,” Canadian Art (July 2016)
“Cutting Copper: Indigenous Resurgent Practice,” co-authored with Shelly Rosenblum, Lalakenis/All Directions: Journey of Truth and Unity, Morris and Helen Belkin Art Gallery, exhibition catalogue, 2016
“pulling through,” slip the snare: UBC Master of Fine Arts Graduate Exhibition, Morris and Helen Belkin Art Gallery, exhibition catalogue, 2016
“Qavavau Manumie’s Pictorial Play,” Inuit Art Quarterly 29.1 (Spring 2016)
“learning to canoe and learning to listen are the same: On Julie Nagam’s white pines lay over the water,” voz à voz, e-fagia, 2015
“Remembering Residential School,” The Response Book: Weaving Histories, Capilano University and Presentation House Gallery, 2015
"An Exercise in Becoming,” object approaching short blue waves: UBC Master of Fine Arts Graduate Exhibition, Morris and Helen Belkin Art Gallery, exhibition catalogue, 2015
“Indigenous Women Artist in Artist-Run Centres,” ArcPost, Pacific Association of Artist Run Centres, 2015
“Postscript 60: The Specter of Artistic Labour,” Seurat and Friends, Artspeak, 2015
“The Refeatured Landscape: Embodied Approaches to the Imaging of the City,” Decoy Magazine, 2015
“A Shared and Difficult History,” NET-ETH: Going Out of the Darkness, Malaspina Printmakers, exhibition catalogue, 2014